During the 1960's and 70's with the creation of new contemporary art practices?, trace the shift away from medium specificity as the organizing principle for advanced art production towards the notion of ?sites? and ?systems? based practices. For example, consider the ideas associated with Pop Art, Art & Technology, Expanded Cinema, Minimalism, Postminimalism, Earthworks, Conceptual art, Feminism, Video and Performance Art.?
What new demands are placed on the viewer by the development of these practices? What methodologies do art historians/critics use to address these new types of practices?
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